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Director Christian Räth helps the piece to glitter at the SummerScape festival in upstate New York
Chausson’s opera has its first fully staged US production; plus an outdoor, overly amplified Barber of Seville
US students and institutions of higher learning are facing uncertain futures
Leonard Bernstein’s neglected musical is revived as part of the Bard SummerScape festival
Proliferation of recreational aircraft in aerial bombing poses problem for industry
Notebook: A public debate over prisoners’ rights goes behind bars, writes Miranda Green
The binge of manpower and technology is an experience of crushing hollowness
This half-theatrical, half-musical double-header was an unexpected success
Dances from three different decades marked the beginning of Bard’s annual arts festival
China is likely to emerge the challenger to the US-dominated global system
The international borderless economy must become more equitable, writes Ian Buruma
Sergei Taneyev’s monumental operatic interpretation of Aeschylus receives its US premiere
An outstanding turn from Peter Dinklage is only one of the reasons to make the trek to see this all-male version of Molière’s comedy
International Edition