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Giant who changed the world
Though some of the works are interminably tedious, London’s Hayward Gallery has produced a must-see Warhol exhibition that is theatrical, original, transforming and empathetic, writes Jackie Wullschlager
The Norman Conquests, Old Vic, London
Sarah Hemming delights at Matthew Warchus’s magnificent Ayckbourn revival
Divorzio all’italiana, Opéra National de Lorraine, Nancy
The pace and the ideas flow, writes Francis Carlin
Requiem, Komische Oper Berlin
Shirley Apthorp sees a mix of the fantastic, the poignant and the just plain silly
Tina Turner, United Center, Chicago
The show was the culmination of lifetime‘s stagecraft, writes Paul Sexton
Related content and features
FEATURES
Maeght: The great postwar art dealer
A heartbreakingly beautiful show celebrates the last epoch when artists were unquestioningly, compulsively makers and constructors, writes Jackie Wullschlager
The modern face of fado
Mariza, one of a handful of singers who revived the urban Portuguese blues, has become famous not only in her homeland but across the world, writes David Honigmann
Museums without walls
The director of the Henry Moore Foundation tells Jan Dalley about bringing the best of contemporary and modern art around the UK under a scheme known as Artists’ Rooms
Film
Haunting elegy to Mother Russia
‘Alexandra’ is Aleksandr Sokurov’s bewitching tale of a woman visiting her officer grandson near the Chechen front, writes Nigel Andrews
Music
Brilliant beatniks
You don’t need to talk much to conduct an orchestra, but you must have charisma and be able to inspire musicians, writes Andrew Clark
Culture
Fixed by the Adams family
HBO’s wholesome mini-series about the second president of the United States is something of a radical departure for the channel, says Peter Aspden
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